In the execution of my artistic practice, I feel an inviolable and immense connection to the narrative of humanity, and consider it a personal objective of mine to capture the multi-dimensional facets of the human soul and spirit in a two-dimensional space. I intend to perform this through formats of portraiture and object photography that bleed with sublime symbolism and obscure to the detriment of their discernment. In essence, I have every intention of portraying human subjects in objectivity, conversely capturing objects in sentience. I feel a severe and unwavering drive to cohesive bodies of photographic work that juxtapose the artificial quality of the abstract with interjected humanist values. I feel a lifetime commitment to this cycle of capture and alteration – the work of documenting humanity in all of its forms – the bold, harsh lines and colors of the editorial, meeting the cognitive abstraction it holds in the bizarre.